The One-Plot Wonder

Back in the mid to late 1980s I was a security guard. The pay was lousy, but it gave me many hours in seclusion to write short stories and novels. However, I usually worked over 80 hours a week. No one can write that much. Well, at least not me. Thus I discovered the joys of my local libraries.

Recently, I decided to look up an author who gave me great pleasure in those days. Most of his books are now out of print, I've learned, even the one that became a movie.

I found that two of his were books available, so I ordered them. One I'd enjoyed before. The other was a straight thriller from the days before he created the "Appleton Porter" spy spoofs, re-released in 2001 in POD. I didn't know this before it arrived at my home in China.

Since I'm giving away THE plot spoiler, I won't identify the author or title.

A man who deeply loves his wife buys her a hotel outside London. She is very happy there, at first. This is a fine suspenseful read as she notes oddities and eventually appears to be losing her mind and such. Suicides, an eventual murder. Finally, her husband pays a doctor to kill her.

Her husband arranged all this, we learn at the end, because she was dying of a horrible and incurable illness. Rather than let her suffer the indignity, he tries to give her some final days filled with wonderful memories. He never realizes that he ended her days with a living hell.

The writing was fine, aside from some stupid typos of the sort common in unedited POD titles. He's obviously a sincere, hard-working, talented author. The plot was wholly consistent and everything "worked."

So why is it a weak book? Because the plot I described is all there is. It's a one-plot wonder.

As an author, if you find yourself floundering, if you find your work-in-progress failing to make progress, ask yourself. Is it a one-plot wonder?

Here are some best sellers I've read over the past thirty years.

During the Cold War, a Soviet commander steals a top-secret submarine and tries to defect to the US with it. A good and idealistic young law graduate accepts a job too good to be true, only to eventually learn he's working for the Mafia. An alcoholic author and his family become caretakers at an old Maine hotel, alone during the winter, and he eventually goes nuts. A US President declares war on drug dealers, a "clear and present danger" to national security. A crippled author is kidnapped by the ultimate fan.

I've chosen these titles because I've read the books and seen the movies. None of my plot summaries are wrong. But with some of those novels, there are many more plots and subplots at work. These are the novels that didn't always translate well to the big screen due to time constraints and/or loss of non-objective voice.

I love a well-conceived "what if" scenario, and none of these books lack that. But more importantly, I love a novel that's rich with the fabric of life. That's where multiple plots come into play. Very rarely will a movie capture this as well as a novel can.

A one-plot wonder is a boring read. It's a boring write. It's not realistic. And, it's a hard sell. All your eggs are in one basket. If the editor isn't enthralled with that sole plot, you aren't published. If the reviewer isn't enthralled with that sole plot, he pans you. If the potential reader isn't enthralled with that sole plot, he doesn't buy your book. Or if he does, maybe you don't get any repeat business from him. You don't get mine.

Plus, we should be setting the bar a bit higher for ourselves anyway. We entertain, but we also enlighten and educate. Or at the very least, provide needed escape. But it's hard to escape to a one-plot wonder. I keep taking coffee breaks between chapters.

I single out no writing medium with this. All are guilty. Come on, TERMINATOR 2 has more subplots than many successful books these days. And it's not just "these days," incidentally. The title I reviewed early in this article is from 1979. Published, successful, well-written, flat.

Craftsmanship is fine. Craftsmanship is wonderful to behold. Craftsmanship is a necessity. But, it's not enough.

Do you want to build a horse barn that never leaks or do you want to build a two-story A-frame home that survives five hurricanes undamaged? My carpenter did the latter and I can't do the former. But if I had the ability to build a leak-proof barn, I certainly wouldn't limit myself to barns. I'd try to build houses.

I'm not talking about weighty tomes. Times change, readers change, and most people don't read them any more. What was once considered gripping is now considered boring.

But one-plot wonders also bore readers. They read it, enjoy it moderately, then go look for something else to do. There's little satisfaction at the end. Rarely the big "wow" that probably made you start writing in the first place.

I'm talking about shooting for five stars instead of two or three. I'm talking about richness of story, raising the standard, writing your absolute best instead of settling for adequate.

I risk oversimplification here, but I'm seeing far too many one-plot wonders. People are buying them, too. But it's time for us, the authors, to quit writing them.

Interviewing an Author: Dont Be Left Speechless

Joyce Carol Oates. Langston Hughes. Anne Sexton. F. Scott Fitzgerald. Nikki Giovanni. The names of authors (dead and alive) can go on and on. But I'll let you have first pick!

You are in a room with some of your favorite authors. About ten of them. However, you are only allowed to invite one of them to Starbucks for a couple of chocolate mochas. Just you and your favorite author. It doesn't matter if the writer is deceased-use your imagination! After all, you're a writer, right?

Oh dear, who shall it be? Should it be William Shakespeare with his purple pantaloons; Sylvia Plath who now vows to use an electric oven instead of gas; or should it be Maya Angelou and old playmates from her broken-hearted brothel?

Finally, you have selected an author.

You take him (or her) to Starbucks. You order the mochas. You sit down. As you open your mouth to ask the author questions nothing useful comes out.

What's the problem?

Often times we'll chance upon moments when we can interview an author. And, with technology nowadays, methods of research and brainstorming have changed slightly.

1. Research the Author

Ask yourself, "Is the author self-published or published in a traditional publishing house?"

Actually, does it really matter?! No. Why? Because you're going to need to treat all authors the same-with much respect. Be laid back, and in turn, the interviewee will become comfortable and open-up to you.

After all, whether published or not, we're all human. Before the interview, however, use your investigative reporting skills and attempt to discover as much as you can about the author. Surf the Internet for any hidden agendas internet-published writings the writer may have. Not only do you want to know about the author's book, but the personal life as well. Find out what makes the author tick.

2. Research their genre and subject matter

Does the author write poetry? Historical nonfiction? Dramatic nonfiction? Children's literature? Discover how easy or difficult it is to publish in that particular area of writing. Before you meet up with the author, you must know their genre, as well as the basic themes. If the author writes only historical nonfiction-what's their subject matter? Pre-civil war? Early African Slave Trade? Cuban artwork? Compare and contrast authors in similar subject matters.

Learn as much as you can while you can. And, at the same time, be sure to formulate an opinion about the subject matter, whether it be pro or con. This will allow you to ask more in depth questions.

3. Don't Interrupt

Remember to ask your question then shut up. This isn't a time for you to reminisce of your (waning) writing skills. This is moment for the author to be in the spotlight. Listen to their responses, and make sure that you have a rebuttal question prepared in the back of your head.

After you are away from that particular topic, be sure to go to your next question. Though you may have your list of questions-it's okay to ask the questions out-of-order. Actually, I highly recommend to adlib the questions. This will make the questions seem a bit more unforced. In short, treat your interview as if it's just a regular discussion amongst friends.

Above all, I highly recommend to record the interview. Before you display your trusty hand-held recorder, ask the interviewee for permission to record them. Keep and label all used tapes with the author's name, date and location of the interview. You never know when that once self-published novelist will become the next Best Seller.

Edited by Jenny Wilson

About The Author

Stephen Jordan has five years experience within the educational publishing industry. Stephen was a freelance editor with such educational foundations as Princeton Review, The College Board, New York University, and Columbia University. Away from the office, Stephen promotes his creative writing with his home-freelance business OutStretch Publications and his artwork. Stephen holds two Bachelor of Arts degrees in writing and literature from Alderson-Broaddus College of Philippi, West Virginia

Interview with Suspense Author Peter Abrahams

Peter Abrahams is the author of thirteen novels, including "The Tutor," (Ballantine Books) "A Perfect Crime," (Ballantine Books), "The Fan" (Fawcett Books), and most recently, "Their Wildest Dreams" (Ballantine Books).

Known for his sharp wit and incredible gift for keeping readers on the edge of their seats, Abrahams has been entertaining readers for more than two decades--spinning multi-layered tales involving ordinary people who find themselves in horrific situations. Nominated for the Edgar Award, and known for his memorable, unique characters, colorful writing style, and non-stop suspense, Peter Abrahams seems to have it all--even the praise of horror author Stephen King.

Here is what he had to tell Writer's Break.

THE INTERVIEW

WB: What formal training did you have before becoming an author?

Peter: I had little formal training. My mother--who wrote television drama--taught me a lot about writing when I was very young. For example--don't use linking words between sentences (however, nevertheless, etc.), but use linked ideas, mood, rhythm.

WB: What's a typical writing day like for you?

Peter: Typical writing day--I drive my daughter to school, hit the gym, then breakfast and finally the office, where I work from about 10 to 5. Late in a book I sometimes do more after dinner.

WB: How long does it typically take for you to complete a novel?

Peter: The actual writing of a book takes me 5-6 months if everything is going well. I wouldn't call myself fast, just steady.

WB: What inspired you to write your latest novel, "Their Wildest Dreams"?

Peter: I don't know if inspired is the word. I've often got little ideas drifting around in my mind. In the case of "THEIR WILDEST DREAMS," I was thinking a struggling woman and a Russian immigrant and a heist gone bad. Then, on Don Imus's radio show, I heard Delbert McClinton singing a song called When Rita Leaves. Most of the story--Mackie, the southwest, the dude ranch, Buckaroo's--came to me in the next five minutes.

WB: How did you decide to become a full-time novelist? What were you doing before?

Peter: The short answer is that I finally started doing what I was designed to do. The long answer isn't that interesting. Earlier, I worked in radio. Before that, I was a spearfisherman in the Bahamas.

WB: What would you say is the "best" and "worst" aspects to this job?

Peter: The best is that hard-to-describe pleasure that comes with making something out of nothing. The worst? A toss-up between the business aspects and the solitary nature of the job.

WB: Who are some of your favorite authors?

Peter: Lots of dead favorites, and a few living ones, including Stephen King and Saul Bellow.

WB: What can fans expect from you next?

Peter: My next book, "OBLIVION," comes out next year. It's my first detective novel. I think I can safely say that the detective, Nick Petrov, faces challenges unlike any previous fictional detective. I'm also involved in another new thing for me--a young adult mystery series that I'm really excited about.

WB: Do you do a lot of research for your books?

Peter: Research--it depends what you mean. A lot of it just comes from living. But as for all the little facts, I do what I have to to get them right. I visit places I write about--some, like southern Arizona in "Their Wildest Dreams," have a deep effect on me.

WB: What would you like to do if you weren't a novelist?

Peter: If I wasn't a novelist, I'd like to be a musician.

WB: What advice would you give to aspiring writers?

Peter: My advice to writers, at least those of the narrative kind: Don't watch TV. There's nothing for you there.

Understanding Editorial Guidelines

Editorial guidelines, also known as writer's guidelines, are the rules set forth by publishers for contributing authors. In order to have your article taken seriously you must review the guidelines prior to submission. It is also recommended that you review previous editions of the publication to get a better feel for the types of articles favored by the editor(s).

Outlined below are the typical issues covered in editorial guidelines along with their definitions and any additional information you should know.

Length of article: The minimum and maximum word count of articles considered for publication. Online articles are usually expected to be 750 to 1,000 words while off-line publications will often accept a longer article.

Topics: The subjects of articles accepted by the publication. Never submit an off topic article as this is very annoying and may result in further submissions from you being banned.

Illustrations/Photographs: Some publications require/accept illustrations or photographs and will usually specify the size and format required for acceptance.

Editorial style: Consistency and accuracy governs the use of a style selected by the editorial department of a publication. Many publications require the use of the Associated Press Stylebook which covers spelling, capitalization, grammar, punctuation and usage.

Author Photograph: Some publications require or accept a photograph of the author usually included with the submission of the article. Guidelines will often cover the size and format of photographs.

Byline length: Also known as an author biography or resource box. Some publications have certain requirements for length, characters per line and what or how much contact information can be included.

Payment: Your byline is often the only payment you will receive for your article. However, some publications (particularly those in print) pay for articles by the word or per article.

Rights: Governs whether or not the publication will accept original or reprinted articles, how long they plan to use the material and whether the article can be used elsewhere at the same time.

Query requirement: A query is a letter written to the editor that proposes an article topic and asks permission to submit. Some publications require that you query the editor (by e-mail, fax or mail) prior to forwarding your article.

Submission methods: Methods of submissions may include via fax, e-mail or hard copy sent by courier or standard mail.

Editorial calendar: It is not unusual for a publication to establish an editorial calendar for each year far in advance. The calendar will cover topics, themes, article types and required submission dates broken down by publication dates.

Format accepted: Each publication will accept articles in certain formats such as Word, WordPerfect, text or Adobe Acrobat.

Audience: Demographics such as number of subscribers, gender, educational level, age and income level.

Notification: When you will be contacted about your submission. Many publishers choose to contact only if an article is chosen for publication.

Acknowledgements: In some cases you will be required to sign (either electronically or on paper) an acknowledgement that you have read the guidelines.

It is very important to understand and follow the editorial guidelines of your target publications in order to maximize your chances of publication. Not all publications will include all of the above items in their editorial guidelines. Contact the editor if any of this information is not disclosed and you need it to refine your submission.

The Three Cs of Writing an Excellent all Purpose Headline

Since the headline is the first contact your readers have with your message, it must reach out to them. Promise them a benefit. Tell them how they will be better off if they read the rest of the ad. Use action verbs. Save ten dollars is a stronger heading than Savings of ten dollars because of the verb.

Headlines can be classified into the following five basic types; effective headlines frequently combine two or more of these kinds.

News Headlines

This form tells the reader something he or she did not know before. Using the word news does not make it a news headline. "Now - a copy machine that copies in color" is an example of this type headline.

Advice and Promise Headline

Here you are promising something if the reader follows the advice in your ad. "Switch to Amoco premium, no-lead gasoline, and your car will stop pinging."

Selective Headline

This headline limits the audience to a specific group. For example: "To all gray-haired men over forty." Caution! Be absolutely sure you do not eliminate potential customers with this type of headline.

Curiosity Headline

The intent here is to arouse the reader's interest enough to make him or her read the ad. The danger is that this headline often appears "cute" or "clever" and fails in its mission. An example: "Do you have trouble going to sleep at night?"

Command or Demand Headline

Watch out for this one as most people resist pushiness, especially in advertising. "Do it now!" or "Buy this today!" This headline generally can be improved by changing to less obtrusive wording such as: "Call for your key to success!"

One common misconception about headlines is that they must be short and easy to understand. This is not always true. Here is a headline that was used extensively in print ads by Ogilvy and Mather for one of their clients: At 60 miles an hour, the loudest noise in this Rolls-Royce comes from the electric clock.

Illustrations

There are three primary reasons for using illustrations in an advertisement.

• To attract attention to the ad.

• To illustrate the item being featured.

• To create a mood in the mind of the reader.

Everyone has heard, A picture is worth a thousand words; in advertising, the illustration frequently helps the reader visualize the benefits promised. You can almost feel the warmth of the tropical sun when you see the photos in January travel ads. Cost and practicality may dictate whether your ad uses photographs, artists' drawings or merely canned artwork. Any of these can make the ad more appealing to the reader's eye.

Copy

If you follow the three principles of good copy, your ads will be effective:

• Good copy should be clear.

• Good copy should be crisp.

• Good copy should be concise.

Clear, crisp and concise . . . the three Cs of copy writing suggest that the words in your advertising message merely do a good job of communicating. Do not use big words when small words can make your meaning clear. Use colorful, descriptive terms. Use the number of words necessary to make your meaning clear and no more-but also no less! Selecting the right words is critical to the success of the ads. Recent research conducted at Yale University found that the following 12 words are the most personal and persuasive words in our language.

You Discovery Safety

Money Proven Results

Love Guarantee Save

New Easy Health

Notice the overused word free is not on the list.

REMEMBER THAT WHEN YOUR MESSAGE IS PRINTED IN ALL CAPITAL LETTERS INSTEAD OF UPPER- AND LOWERCASE LETTERS, IT IS FAR MORE DIFFICULT FOR THE READER TO FOLLOW AND REMAIN INTERESTED. EVEN IN HEADLINES ALL CAPITAL LETTERS SHOULD BE AVOIDED.

5 Reasons People Like Technology White Papers

A good white paper is a paper that makes you look good.

You look good when your white paper makes sense, when it's readable, when it concentrates on benefits and examples, and when it's easy to get. Here's why:

Reason #1. Many people would rather die than talk to a sales representative right off the bat, but they will read a white paper. When people start researching a product, they are not prepared to talk to a salesperson. They have no idea if the product is for them, or if they even need the technology at all. They'll also be resistant to new and innovative technologies. Well-written, benefit-laden white papers will qualify your product to the reader, and qualify the reader to you at the next stage in the sales cycle.

Reason #2. White papers build a bridge between the prospect and your organization's salespeople. When the salesperson does call, it's not out of the blue. If a user has downloaded a white paper, there is an established connection between user interest and your company. The call can even be welcome if the customer has more questions and is interested in moving forward.

Reason #3. White papers are simple to host on the Web, where people can easily download and read them. In addition to your own company Website, there are numerous sites that host white papers and make it easy for prospects to download the paper. Many companies take this opportunity to capture reader information, including if the reader wants to be contacted. If they do request contact, for heaven's sake contact them! They are coming highly qualified.

Reason #4. You're not just reaching prospective customers with white papers, you're also reaching journalists. Or you should be. This is why you should always include a solid technical section in a white paper: journalists doesn't want to download a white paper and find a brochure, it makes them cranky. But if you deliver a valuable white paper, the journalist is far more likely to speak well of you and your product. (This, of course, is the essence of media relations.)

Reason #5. And speaking of journalists, what do they do when they pick up or receive expensive press kits? They throw them away, but they do keep valuable information like booklets and white papers. As a senior editor and editor-in-chief for data storage magazines, I can't tell you how many beautiful and pricey press kits I picked up, then threw away. What did I keep? White papers. Who did I think of when I was writing a story on that technology? The company that wrote the white paper.

The CLEAR Process

All white papers need to combine good writing, good structure, and clear technical explanations -- high level or not, depending on purpose and audience -- and case studies. The process is CLEAR:

• Clarify the problem

• List your technology's features

• Educate your customers on benefits

• Add proof points

• Restate your case

People like technology white papers if the paper is clear, useful, readable and available. Make sure your white papers fit the bill with the CLEAR process, or call a professional white paper writer for your next project.

Home Business Writing Made Simple

Have you ever written a letter to a friend? Ever written an outline for any project you were about to start? What about a shopping list? If you have, and I imagine most have, you can then write focused, brief, content articles for your online home business.

Why write? Well, of course you can spend lots of money to drive traffic to your site with absolutely no guarantee that you will obtain a single sale. Moreover, most of the traffic, although targeted, may leave your site and forget it ever existed. Writing puts you personally, your site, and your products/services within the same framework as a well-honed opt-in list of subscribers. People remember you, learn to trust you, eventually purchase from you, and most importantly return to purchase again and again, as long as you continue to offer what they need.

"So how can I simplify what seems to be the arduous task of writing", you ask?

Try this:

(1) Take out pen and paper and go someplace quiet where you can trigger the creative side of your brain. (Yes, I said pen and paper. Don't sit in front of the computer for this exercise.)

(2) Sit back and think for a moment about your online home business. What do you offer? What have you learned so far about building traffic? Have you noticed any patterns for certain promotion methods that work? What about anything that can be considered well needed advice to others just starting out?

(3) Now write down the first thoughts that come to your mind. Don't edit. Your not at that stage yet. Just write the ideas, and do this for several minutes, or until you have at least a single page filled up.

(4) Done? Good. Now go back to the top of the list. Slowly go through and hone the ideas. Anything that pops out as particularly intriguing or immediately brings up related ideas mark off for the next step. These are the ones to develop further.

(5) Now take out a sheet of paper for several of the ideas marked off and write the idea at the top of the paper. (You can use your computer now, but I tend to think better with pen in hand.)

(6) O.k. Ready? At the beginning I asked if you ever have written a letter to a friend? Remember? Keep this in the back of your mind always. Write like you speak. I promise you that for short content articles to develop your online home business, this is the tone that works. If people need a textbook they will buy one.

(7) First make a list, sort of a shopping list of related things to cover. Try not to get carried away. Remember - short content articles.

(8) Now fill in the details as if you were explaining it to a friend.

That's it. All there is to it. I think you will be surprised how easy it is once you write a few. Personally, I keep a notebook handy at all times just for ideas that I later cultivate into short articles. When I learn something new that I believe will be of benefit to others I make a note.

The power in this technique resides in the fact that you are not a robot and neither are your prospects. When you write, and take it from the perspective of friends sharing information, you step onto a personal level. Now who wouldn't pick up on that. Eventually, with continually writing and publishing your articles in newsgroups, e-zines, and other web site, your credibility builds, your persona builds, and your traffic and sales will build. You absolutely cannot loose with this cost effective traffic generating strategy.

Making The Time To Write That Novel

Finding the time to write a novel is one of the major issues confronting writers, particularly those who haven't been published yet. How does one justify to themselves, or to their loved ones, that they need time to write if they have demands on their time, like a job, or a house to be cleaned, a family to be fed, or shopping to do? They make the time.

To make time, one would have to sit down and plan it. If this is not done, then writing will become a haphazard event, dictated by a whim, or a passing urge, rather than a scheduled time. This often results in the book never really being finished. You do want to finish that book, don't you? Below, I have my own suggestions as to how to make time.

Think about your daily schedule, just like when you do a budget, only instead of money, you'll be budgeting time.

Then get a nice large desktop calendar, the ones that cost about two dollars. Begin filling in the mandatory slots for the week. Do you have a work schedule, or a doctor's appointment, a meeting to go to, etc.? Then write these times down.

Next, fill in the times for meals, showers, shopping, socials, etc.

Now look at the times that you are free. Please don't say there isn't any time left! There will probably be some time available somewhere. Maybe it'll be at lunchtime, if you are working, or after dinner, or even during the day if you're a stay-at home parent (when junior is napping).

If you are a new writer, start slow. Maybe find one hour a day and reserve that for your writing. Go ahead and write the date in the calendar. You just made an appointment with yourself. Now do it for every day of the week. You decide if you want to work the weekend or not.

If you are a more seasoned writer, you will probably need more time. I find that I need a minimum of three hours a day to write. Sometimes I may also use this time doing research for my book.

Once you make that appointment with yourself, that's the easy part. Next, you have to keep that appointment. There are so many instances when something else interferes with your designated time. I know, I've been there. Therefore, you need to have some flexibility. Always have a reserve time slot handy in case you don't make your date. Although I was pretty regular and rarely strayed from my afternoon schedule, there were times that I just couldn't stay on track. I learned to be flexible and wrote in the evenings. The important thing to remember is to not stray too far from your schedule, because it defeats the purpose.

Once you've scheduled your writing dates, then prepare your work area. Try and have it ready before your designated time. If you have a computer, make sure the printer has enough paper, and there's a floppy disk available to save your Word files in. If you use a pen and paper instead, make sure you have them handy. Also, make sure you have enough lighting in the room. You wouldn't want to strain your eyes. Make your writing area as comfortable as you can.

Now try writing for a week. How did it feel? If you're like me, it felt great. Not only did it feel great writing, but I quickly found out it wasn't enough time! One does need time to get into the story, to think about the dialogue, to write that chapter. Sometimes you'll be so absorbed in your writing, that you may surpass the hour you designated, and that's fine if you go beyond your scheduled time (unless it affects your other activities). There will be other times when you'll sit there doodling, trying to write something, and it won't be easy, so you'll probably finish quicker than the allotted time.

The important thing is to write on a consistent basis. It's similar to exercise. In order to see results, you have to do it persistently and over a long period of time. A novel can never be written in one sitting! Over the course of your writing, you'll be learning valuable skills that can only come from experience. Also, you'll notice that the more you write, the easier it'll become.

As you follow your daily writing schedule, you will show your loved ones that you are serious about your work, and more importantly, prove to yourself that you can write that novel!

I wrote my first novel in 1-Ѕ years. Being a stay-at-home mother gave me the opportunity to write during my baby's naps, which averaged about 2-3 hours each afternoon. It is very rewarding to see your novel taking shape. If I could do it, then so can you!

Top 10 Tips to Complete a Creative Writing Project Without Losing Your Creativity

Have you ever started a creative writing project with great excitement, only to have your interest dwindle as the process, itself, interfere with your creativity? How do you keep the momentum going and continue to enjoy the creative process? Follow these tips for high creativity, fun and success!

1. Create a writing environment that inspires you.

Create a place in your home or outdoors that calls you to write. Consider light, color, sound, scent, taste, writing materials.

2. Follow The Artist's Way, by Julia Cameron.

I highly recommend this book. It keeps you focused, observant, playful, and creative - and it keeps you believing in yourself as a writer!

3. Choose your writing project in a joyful way.

When choosing a writing project, come from your heart - not your head. Be playful. Be creative about how you choose your project.

4. Make a creative representation of the project's ideal end.

Draw, paint - use a creative medium other than writing to represent the completed project. Consider, especially, how you will feel when it's done. Put your model in a prominent place. Use this to trigger the desired feeling, before the completion - every day!

5. Make a timeline with celebration points.

Make it visually appealing. Have a step-by-step outline and celebrate creatively as you complete each step.

6. Create an R&D Team for your project.

Contact a number of your friends, colleagues, and readers. Invite them to join your R&D Team. Send them snippets of what you write, questions you have about the process, or anything else you want input on - on a regular basis. Their input will keep you going.

7. Keep Creating & Editing times separate.

If you edit while you write, the process can become boring. Clearly block a specific amount of time for editing into your schedule. Don't let it interfere with your creative writing time!

8. If blocked, shake things up!

Do something fun, unusual, active! Get your mind somewhere else and move your body. Your creative side will work in your subconscious while you're at play. Read the tips in The Artist's Way. There are also many resources on the internet for handling writers' block. Check some of these links: http://owl.english.purdue.edu/handouts/general/gl_block.html

http://www.sff.net/people/LisaRC/

http://leo.stcloudstate.edu/acadwrite/block.html

9. Have a Fan Club.

Critics and editors are fine, but have a few friends or family members who you can ask to cheer you on or cheer you up, no matter what you write. Hire a Creativity Coach to keep you focused and to be an unbiased supporter of your creative success!

10. Celebrate in a big way!

When you reach the big finish, give it a big finish! Do something you've always wanted to do, but have never done before. Make the finish so memorable that you'll be eager to begin your next creative writing project!

How To Stay Fit While Writing

Day after day, writers tend to sit for hours writing that novel or story, and over time, this can become a potential problem. Their metabolism may slow down and the pounds can inch up. Statistics show all kinds of health problems associated with obesity.

If you're an author, you are aware how your image plays a role in promoting your books. You are asked to speak or lecture at a gathering, or promote your books doing book tours and signings. Or even better yet, you're asked to go on a TV show, like Oprah! That is not the time to think about losing weight! You have to start now, before that book goes out on the shelves, so when you go on that stage or in front of the television, you're looking and feeling good.

How can you tell if you're obese? Here are a few ways to tell -

you pinch the area around your waist and it's two inches thick,

you lie down and can't feel the top of your breastbone,

your clothes don't fit you,

you avoid having your picture taken,

you keep telling yourself you need to get a new scale because your scale isn't working

Check your weight against the Body Mass Index table provided by NIH website:

http://www.niddk.nih.gov/health/nutrit/pubs/statobes.htm#table

How can writers live long and healthy lives if they don't take care of their bodies? Here are some tips I've designed to stay fit while writing that novel.

MAKE SURE YOU TAKE BREAKS

Breaks are important for you. Not only so you can get up and stretch or walk around, but to allow your brain a rest. One way that is helpful, is to put a timer on for 45 minutes. When the timer goes off, take that break, walk around, do your laundry or something physical, anything to get you moving. After 10-15 minutes, you will feel refreshed and ready to get back to writing.

SLOW DOWN ON THE MUNCHIES

Working at home is a wonderful feeling. You can set your own hours, wear whatever you want, and have the freedom to come and go. However, beware of the munchies syndrome. It may begin with a cup of coffee and a sweet, then some chips or nuts. Before you know it, it'll turn into a habit, and every time you sit down to write, you'll expect a delicious sweet or crunchy snack nearby. DON'T DO IT! The chips have tons of sodium in them, which makes your body retain water and will make you swell up like a balloon. So think twice before you dip into those salty chips or nuts.

The brain is like a reliable machine. It will work hours for you on end if you take care of it. Just like you oil and gas your car, you need to do the same for your brain. The brain cannot work endlessly without some reinforcement. It needs energy foods as well as bouts of rest to operate at its best. Although the brain loves sugar, hence the urge to eat sweet foods like cookies, cakes, donuts, there are drawbacks to feeding it sugar all the time (weight gain, diabetes, etc.). Sometimes substitutes like a granola bar or fresh fruit will do just as well, thank you. Carrot sticks work for me!

Don' be like those squirrels munching away constantly. If you catch yourself going to your writing desk carrying plates loaded with goodies, etc., then beware. Go right back to the kitchen and set those plates down. Promise yourself that you'll have your snack, but only at certain times (like mid-morning, or mid-afternoon). Your brain will get used to it, believe me. It will adapt. Habits can be broken.

RECOMMENDED DAILY FOODS AND VITAMINS

5 servings of vegetables and/or fruits

2-3 servings low-fat dairy products (milk, cheese, yogurt, etc.)

One serving of protein (meat, chicken, fish, soy, legumes)

5 servings of grains (cereal, bread, pasta)

Vitamins - take your multivitamin, your calcium (as we age, we need more), and any other vitamins you feel are helpful. Vitamin B complex, Selenium, Zinc, Fish Oil, and Vitamin E are also good for you.

Also, make it a point to drink plenty of water. Around 6-8 glasses of water a day are good for you. Sometimes we are thirsty and we think we're hungry. So next time you go for the bag of chips, get yourself a glass of water instead.

EXERCISE, EXERCISE, EXERCISE

Exercise boosts your metabolism, gets those endorphins streaming through your body to make you feel good, gets the blood coursing through your arteries and veins, lowers blood pressure and cholesterol. There are so many benefits linked to exercise, it would be foolish not to include it in your daily activities. Exercise makes you look younger (who doesn't want to look younger?) and has also been known to lower one's craving for food.

There are three intensities of exercise (low, moderate, and high):

Low intensity exercise is leisurely walking - you don't really get sweaty. If you are beginning to exercise, start here. Do this for a couple of weeks.

Moderate intensity exercise is when you bicycle, or jog, or even walk fast, and usually start sweating around 10-15 minutes into the exercise. This is a good level intensity, geared to those who have already done low intensity for awhile.

High intensity exercise is when you run, bike, play tennis competitively and sweat within 3 minutes of beginning this exercise. Not recommended if you haven't exercised in awhile. Muscle cramps, and pulled muscles can result if you're not in shape. If you think you'd like to try this, ease into it by alternating between moderate and high intensity in the same exercise session.

Always remember to stretch before and after each session, and drink plenty of water. Check with your doctor first if you have health problems before beginning any exercise program. It'll take about 5-6 weeks for results to show. So give yourself plenty of time and be patient. It does work.

Winter is the hardest time to stay fit because the weather can be so cruel during this season, particularly if you live in the north and you're an outdoors type person (jogger, swimmer, tennis player, etc.). There are ways to get around it.

Get an aerobics videotape and do a dose of aerobics (30-40 minutes/day) in your home. At least 5 days a week.

Get an indoor treadmill or stationary bicycle. They're worth it. Again, five days a week, 30-40 minutes.

Join an indoor swimming pool, tennis club, etc. and make it a point to go there faithfully.

If you're broke, go to the mall and walk around there for 45 minutes a day.

If all the above aren't for you, just keep moving (household chores, up and down the stairs, shopping, etc.).

KEEP TRACK OF YOUR PROGRESS

How will you know if you are doing well if you don't keep track of your progress? One way to do this, is to keep a log. Write down your initial weight, and your goal weight. Each day jot down what you eat, and the amount and type of exercise you do in your log. Since writers like to write, this won't be a problem to write in the log. Right?

In order for your weight loss to work, you have to be faithful to losing the weight, and to yourself. Try it for a few weeks. Over time, you'll start seeing an eating pattern, good or bad. If you notice you didn't lose weight for a certain week, check your log to see what happened (maybe ate out more, or partied). That's ok, you can always get on track the following week. Don't be hard on yourself. Every pound you lose is one less to worry about.

GO SLOW

I know this may sound contradictory, but go slow on your wellness program. Take your time. It doesn't pay to add stress to your life. If you lose a pound a week, that's a good benchmark. If you're losing 5 pounds a week on average, that's not so good. You've heard the term "easy come, easy go". It also applies to weight loss. Quick weight loss means quick weight gain down the road. You need to feel comfortable with what you are doing, or else it won't work.

JOIN A WEIGHT LOSS PROGRAM

If you've tried losing weight and it's just not happening, then maybe you might consider joining a weight loss program. Some people do better if they're in a supportive group setting. That's fine. Just be wary of the weight loss programs that sound too good to be true. One rule of thumb that works for me is if you can't stick to the diet for life, then don't do it.

The Unwritten World Of The Reality Of Letterwriting

You may wonder why I have chosen this title of this post. Well from my experience is that it is really hard to put the feeling into words about what letter writing means to me. Letter writing is becoming a lost art on many levels. It is fading into the background of society. It is still practised by many people. It is those people that I am looking to connect with. I have been told by many people whom have read my posts that they feel the same way about letter writing as I do. I want to hear from those people what they feel; I want to hear their words.

I think that it is so important that we embrace the things that we are passionate about. In this case, I want people from all walks of life, all over the world. Put a pen to paper that is letter writing; pen pals, snail mail whatever it is you call it and tell your story about what writing and receiving actual physical mail in the mail box means to you.

For me I love the whole process from finding kwel and interesting stationary, note cards, ticklopes (they are so cute) to stickers, to colour full envelopes to tuckins to put in the envelopes. For me it is to make others happy to see a letter to them in their box.

I want to hear from you yes you the one reading this post. I know you love to get a letter addressed to you? Who doesn't? Is there some that you have kept? If so? Why? When? How? Yes I want all the 5 W's answered. The reason is I think that it is important to have book that expresses just how important this art of letter writing is to our society. I have heard from a publisher that they are interested. Now I just have to create the masterpiece called the unwritten "reality" of the lost art of letterwriting.

Help me help shine the light on this amazing gift so that it doesn't disappear from the future. If you want more info please feel free to contact me. I have more to share as always. If you can think of other places to post or spread the word please do. This is dedicated to you. I would appreciate any help in getting the word out. I don't think that I could do this book justice with out having fellow letter writers sharing their experiences about the passion of this amazing hobby.

Four Easy Ways to Get a Book Written (Especially If You Dont Like to Write)

Becoming an author is probably a lot easier than you think. It's time to get that book out of your head and onto the printed page. Ready? Boot out your excuses. Here's how to do it.

Method One: Think Quality, Not Quantity. To be classified as a book - as opposed to a booklet or pamphlet - your work needs a mere 49 pages (excluding the cover). Not only that but, depending on your topic, you can be liberal with photographs, charts, illustrations, bullet points, fill-in-the-blank worksheets, etc. Use them strategically in place of text. If it fits your theme, intersperse powerful quotations throughout your book, and give them a page of their own, even if it's only a line or two. Ditch the perception that you have to have a minimum number of lines on each page.

Method Two: Start Talking. Invest in a tape recorder and shoot the breeze. I must admit that this isn't quite as easy as it sounds, but if you're articulate and you have skill at organizing your thoughts and ideas, it's doable. Don't try to wing it. Break down your book into chapters. Then prepare a detailed outline of each chapter. If it's fiction you're writing, outline the plot. For nonfiction, along with your outline, have any additional material handy that you want to refer to.

After you're done, have a typist transcribe the tape. Save it onto a floppy disk and give it to an editor. She'll polish the content. A variation of this method is to use voice recognition software that turns your spoken words into text.

Method Three: Do an Anthology. If you don't want to go it alone - and you don't mind sharing the spotlight - have other writers contribute a chapter to your book. Then you'll have only a chapter to write yourself. Whether it's a collection of short stories or a manual of topics on your subject, this method really lightens your load. Be sure to place each writer's name on their chapter's byline.

Find other writers by asking for referrals. Who to ask? Try the librarian at your local library, an editor at your city's newspaper, an English teacher at a nearby college, or professionals in the subject area of your book. Or place a classified ad in a writers' magazine. And of course, be prepared to remunerate your contributors.

Method Four: Hire a Ghost. As I stated in my book, The Art of Hiring Someone to Write Your Book: A Step by Step Guide to Successfully Collaborating (Instant Publisher, 2004), "A ghostwriter will gather content for your book by handling research, poring over books and articles, conducting interviews, and launching Internet searches. They extract the information that best meets the needs of your project, organizing it, reshaping it, and giving it a creative twist. After they put it all together, they go over their own work, polishing it to flawlessness. As the project develops, they invite your input and seek your approval. Because you have the final say over the project, they comply with whatever changes you suggest."

Whichever method you opt for, happy authoring. I'll see you in print.

Characters In A Romance Novel

Before you even begin writing your novel, you need to know who your characters will be. Minimally, you would want two major characters, the hero and the heroine. They will interact mostly with each other throughout the novel. How they interact with each other will determine the outcome of the story. Will they resist each other in the beginning of the story and by the end, fall in love? Or will they fall in love in the beginning of the story and then be driven apart by conflict? Once you've chosen them, then you need to decide what age they are, their personality traits, and their names.

AGE

Age-appropriate actions are paramount to development of the character. If the heroine is in her teens, she will react differently to situations than if she is in her late twenties. The same goes with the hero. In a romance novel, the typical heroine is in her early twenties, while the hero is older. If he is in his twenties, he shouldn't be shown as a tycoon, unless of course, he inherited the wealth. If he is in his thirties, he shouldn't be shown doing activities that are immature for his age.

PERSONALITY TRAITS

A character in your novel needs to have distinct personality traits that make them unique. By distinguishing them from the other persons in the novel, you can create all kinds of situations based on those traits. Personality traits are typically revealed in the story through actions, dialogue with other people in the story, and sometimes through flashbacks that may reveal how that person became the way they are.

If you are not familiar with personality traits, you can begin by studying the psychology books that describe them. Some examples of personality traits are introvert/extrovert, obsessive-compulsive, Type "A"/Type "B" personalities, etc. For example, an introverted person would appear shy, doesn't speak much, and shuns being in social situations, whereas an extroverted person would be gregarious, out-going, and usually a partygoer.

There are many types of personalities that you can choose from for your heroine, but typically, a "romantic" female would include the following: kind, young, nurturing, loving, warm, single, sensual, doesn't fool around, and attractive. For your hero, the characteristics could vary even more, and usually include being: older, decisive, powerful, kind, caring, single, gentle, and handsome.

Typically, you should have well-rounded characters. However, beware of making them too perfect. Readers prefer reading about realistic people, and yet at the same time, want to escape a little. Leave some room for improvement to allow character development to take place. As a writer, you will have to do some mental gymnastics to allow this to happen. Maybe she is stubborn and headstrong, and doesn't listen to other people's advice. Maybe he doesn't trust anyone, so he is wary and cautious. That's fine. Once you decide on the traits of each character, then the next step would be to envision how they would react to certain situations. For example, an impulsive person would probably react differently than a cautious person to the same situation. Be prepared to get into the shoes of your character and feel what they would feel. When a hero and heroine get together, they may help each other overcome their character flaws by the end of the story. Through their love for each other, they help each other grow as human beings, and at the same time, accept each other's flaws and imperfections. Of course, there will be some type of conflict in attaining their love. What story exists without conflict? But by the end of the story, they realize the importance of each other in their life and cannot live without the other, no matter what the price. Ahhh, true love!

NAMES

Once you have the age and personality trait of each character, then you need to give them a name that fits them. If the male character is a warrior or has a tough-minded personality, you wouldn't want to give him a name that sounds feminine, like Jean or Francis. Also, be sensitive to the setting, locale, and the time period, when deciding upon names. In addition, the names of your other characters should not overpower the hero/heroine's names.

OTHER CHARACTERS

Once you have your main characters, then think about whom else will be in the novel. What role will these other players maintain to help the hero or heroine go forth? If you just add someone in the novel because you like him or her, but they don't help the story, then rethink on how they could be useful to the story. Maybe they know something that might be useful to the hero or heroine, then add that into the story.

Cardboard characters are a result of focusing on one dimension of a character. The cardboard character can be either totally evil, good, funny, sad, etc. They don't waver much from that description. Sometimes they are added in the novel to prove someone's character. For example, an evil cardboard character makes the hero look good by battling with him. That's the only purpose the evil character has, to show the hero's good side. We don't try to develop the evil person's character so that he/she is less evil. However, in recent literature, one sees more sympathetic looking evil people doing their bad deeds, yet somehow managing to make the reader feel sorry about them. Those complex types are not considered cardboard characters.

BALANCING ACT

No matter how well you think you are writing, always go back and double check your work for consistency. Make sure that if your hero has blue eyes in the beginning of the story, that he still has blue eyes by the end of the story, etc. Also, make sure you know your characters before you write. If you don't, it will show up in your writing. Throughout the story, you have to carefully describe the real person in all their glory, as well as their character flaws. When I went back and read the first draft of my romance novel "Lipsi's Daughter, I found that I tended to lean more towards making my characters too good. I then went in and deliberately inserted a fault or two. Those faults also help with the conflict. Conflict drives the story forward.

The final balancing act will come at the end, where you will have created, or synthesized a whole new person that has evolved into a better human being from the lessons they learned in the story. So now that you've read this section, go ahead, write your characters. Make them come alive!

Beginnings

Just about everyone is familiar with this beginning: "In the beginning God created the heavens and earth. The earth was without form and void, and darkness was upon the face of the deep . . ." (Genesis 1: 1-2 RSV) In a sense we're playing God when we write a story. We create the characters, plot, and setting, turning a blank page-nothingness-into a compelling story.

Not only is your first scene the first impression of a story, it is the doorway that invites your reader on a journey. First scenes are what determine whether or not your reader is going to follow your characters to the end.

Your beginning must accomplish several things:

Introduce your characters

Establish the place and time the story occurs

Introduce the conflict or point at which change begins.

Your opening sets the tone, mood, situation or problem. It actually begins in the middle of things.

Looking at the first lines of Genesis from a purely literary standpoint, the first lines introduce God as the protagonist. The time and setting (simply) is the moment of Creation, same as the point of change. Before God created the world there was nothing. For the purpose of this illustration from a literary standpoint, Nothing was what happened before the story begins. It starts in medius res-in the middle of things.

Let's look at a few opening lines of other stories.

I could tell the minute I got in the door and dropped my bag, I wasn't staying. "Medley" by Toni Cade Bambara

This blind man, an old friend of my wife's, he was on his way to spend the night. "Cathedral" by Raymond Carver

She told him with a little gesture he had never seen her use before. "Gesturing" by John Updike

Something has already happened before the opening line. The first line is actually the middle of the story. Each story has its own history. The plot is affected by something that happened before the first sentence on the first page. In Anne Bernays and Pamela Painter's book, What If? They describe story beginnings: " . . . think of the story as a straight line with sentence one appearing somewhere beyond the start of the line-ideally near the middle. At some point, most stories or novels dip back into the past, to the beginning of the straight line and catch the reader up on the situation-how and why X has gotten himself into such a pickle with character Y."

Take out an old story, or one you've been working on. Look at the opening scene. As yourself: Does the story have a past? Is the current conflict grounded in the history of the story? If you answer no, then you don't know your story's past well enough.

John Irving said: "Know the story-as much of the story as you can possibly know, if not the whole story-before you commit yourself to the first paragraph. Know the story-the whole story, if possible-before you fall in love with your first sentence, not to mention your first chapter."

The Hard Facts About Editing

Whether you're interviewing for a new job, trying to woo a love interest on a first date, selling your work on the Internet, or submitting a query to an editor, you can never make a second first impression. It's true. It's just one of life's hard facts.

To sell your article, novel, product, or yourself, you need to work on that very critical first impression--and a surefire way to make a bad impression is to present poorly edited work. All the hours of researching, outlining, and writing are squandered if the final version of your manuscript is not tightly written and error-free.

How can you possibly convince an editor, agent, or customer that you can produce a great product when there are errors in your queries, on your web site, or in your marketing materials? I don't know about you, but I lose trust in what I'm reading once I've seen more than one error. In some cases (e.g., a web site for an editing service) even that one error is enough. I think it's careless and it leads me to wonder if the creator is as careless with the quality of his products or services.

Okay, now that we've made it clear that you will be judged harshly by your errors, let's work on ways to error-proof your work.

Editing Cures More than Typos. Proper editing cures not only typographical errors, but also inconsistent statements, ambiguities, poorly written sentences, and weak word choices. Appropriate attention to these aspects of writing make all the difference between a mediocre piece of work and an excellent one.

Spelling and Grammar Checks. Standard spelling and grammar checks are available to you, so use them! Remember, however, they won't catch everything.

Print Your Work. Print a copy of your manuscript and whip out the red pen. Generally, you will find mistakes you weren't able to detect when reading on the monitor.

Let It Simmer. Put your manuscript away for a period of time so that you can look at it later with fresh eyes. After the established time period, print another copy of your work and again, pull out the red pen. Tighten your sentences, examine your word choices, and hunt down any errors you couldn't find before. I find this step to be invaluable!

Ask a Friend to Read. It's helpful to have friends look at your work. They'll see it with a new perspective, which in turn will help them find things you may have missed. But remember, non-writer friends may not always know what to look for. Friends may also be shy about correcting you. You need dead-honest criticism, so if you feel you won't get it from a particular person, don't ask him to read.

Join a Critique Group. Peer critiques can be a terrific way to get feedback on your work, and to offer feedback on the work of others. As an added benefit, you will learn that there's a lot to gain from correcting others' mistakes. There are many online critique groups. (One place to look is Yahoo Groups http://groups.yahoo.com/). Find one that works for you, then submit and critique as needed.

Read Books. There are many good books that can teach you to become a better self-editor. Check out a couple of them. Also, make sure to keep a style guide handy. One good one is Strunk and White's, "The Elements of Style."

Hire an Editor. A good editor will be able to reveal hidden mistakes and will ensure that your best possible work is being submitted. There are many editors who will gladly take your money, so be careful when choosing someone with whom to work. Ask friends for recommendations. If you'd like "my" recommendation, WritersBreak.com works with a fantastic and super-affordable editor who owns BookShelf Editing Services. I cannot recommend her highly enough for editing articles, novels, or web material. She can be found at www.writersbreak.com/bookshelf-editing.htm.

Remember, few things undermine credibility as quickly as work that contains errors. But, on a positive note, also remember that there are many actions you can take to avoid them.

A Mode of Transportation

Great writing transports one vicariously to realms that the reader would not otherwise experience.

One of these areas is physical: ancient, modern, or futuristic. A great writer can bring the past into the present and make the reader experience the culture, the locale, the people of the time. Jean Auel's great novels come to mind.

Another region is the pschological realm: Again great writing conveys us into the minds of characters giving us a better understanding of our motives, our passions, our wants, and our needs. Crime and Punishment is a good example.

Then there is the sociological realm where great writing gets the reader involved in the world of crime, or romance, or poverty, or wealth, and many other social situations, problems and solutions. Charles Dickens was such a writer.

The cultural region is another area where great writing has an impact, particularly authors from other ethnicities that help us to understand the mores and viewpoints that are different.

Finally we enter the political sphere. Here again, great writing points out the good and bad of different ideologies, political parties, governments. It introduces us to the search for power and influence, the good and the bad, the acceptable and the unacceptable.

Great writing occurs in fiction, non-fiction, poetry, etc. Great writers abound, and each reader has his or her favorite.

Charles O. Goulet has a BA in history and a BEd in English literature. He has written several historical novels that are available from Amazon.com and other bookstores.

How to Finish Your Self-Published Book Fast

Started a book and then got bogged down? Like many of my bookcoaching clients do you say, "I have so many other demands, I just can't get to the book."

This isn't procrastination or fear. Most writers get stuck when they don't know how to move forward, finish, publish and sell their unique, useful book to audiences just waiting for it to come out. Let me share two ways to speed up your process.

One. Take One or More High Level Action Each Day

Another to do, you groan? Not really. If you don't make your book one of the top three priorities in your life, it won't finish it.

Get real. How many hours can you give to your book a week? If not ten, I say you may never get your book out. Clients get so discouraged when they don't do their fieldwork for our coaching calls, so I came up with one solution of doing one High Level Activity or more each day for five days a week. (HLAs) Go ahead; take the weekend off like I do.

Some HLA steps include:

- Write on a chapter that you have passion for first.

- Write 2-3 pages a day on just one chapter.

- Finish one chapter before you move on.

- Write 3-6 questions you need to answer for your audience for each chapter before you write a word.

- Read a book on how to put a chapter together the fast way

- Write in your organizer each day the specific HLAs you will do

- Contact a book coach who has low-cost teleclasses, small group coaching groups, or writes books on the topic you need help on.

- Write a sample chapter introduction with a hook and thesis to direct your reader to the meat.

-Write compelling copy so your reader will turn all the pages and recommend your book to others.

Sample Organizer Page

Write your intention: I finish this book (name the title) by (name date and year)

Affirm: I stay on track every day with my HLA's.

Take Action: My HLAs for Wednesday, date, year

1. Contact a cover person for my how to book

2. Answer three questions for chapter 6. For example,

- Can I write print or eBook at the same time?

- What's the best eBook format for my book's purpose and me?

- How much will it cost to self- publish? (A lot less than you think)

- Add front and back material to sell more copies

Think of the Payoffs.

The trick is to finish these three HLAs or even one before you go to bed that day. If you finish fully, you'll feel confident and your guilt will disappear.

Two. Write Fast-Forward, Well-Organized, Easy-to-Read Chapters

Do you try to use past research for your chapters? This is not necessary. All you need to do is answer your reader's concerns and questions.

Your reader wants your to solve his problem or challenge, whether it be to make more money, save more money, create better relationships, connect with their inner self, or to communicate better.

If you don't answer these in each chapter, your reader will say "ho hum" or "I'm confused, what's the point of this chapter? They will put your book down and not recommend it to others.

One common mistake writers make with their books:

They don't complete one chapter with all its parts including the sizzling hook and introduction, the middle with stories or how tos with engaging headlines, and the ending that inspires the writer to keep going to the next chapter.

When you sidetrack, you get off focus, and that's also a big challenge for book writers. When you focus, you write so much faster, and with a little professional help, get to market so much sooner. Results? More cash flow so you can market and promote properly.

Documenting Everything: Your Journal is Your Logbook

Sailors had it for years. Great explorers had it as well. If you go on an expedition to an ancient Aztec mound, more than likely the archaeologist will have one too - so, why shouldn't you own one?

No, I'm not speaking of the scurvy that plagued the sailors! No, I'm not speaking of the Loch Ness Monster or Bigfoot, whom explorers claimed to have seen in snowy Manitoba winters. Nor am I speaking of a lost city, which was never truly lost, but simply buried under mounds of earth and recently dug up by an archaeologist.

I'm speaking of journals. Journals? Yes! Keeping a journal can be just as much of an adventure as sailing the high seas, exploring unknown Canadian wilderness or digging in the dirt to find buried treasure.

Journals have been a source of reflection for centuries. My suggestion is to look at your writing career as if you're an explorer analyzing new-found land; an archaeologist digging up new artifacts and renaming them and so on...

How can you do this? Well, view your journal as a logbook and document your daily happenings. Here is a suggested format for keeping your captain's log.

Divide your journal entries into sections: Date, Weather, Mood, Events and Freewrite

1. Date: This is the obvious one (for some people). Write the month, day and the year. Also write which day of the week it is (i.e., December 17, 2001; Monday).

2. Weather: Make note of the temperature outside. Is it 100 degrees? Or perhaps it's only 20 degrees? Is it raining and 35 degrees? Snowing and 110 degrees? Raining cats and dogs? (Don't step in a poodle....)

3. Mood: What's going on in your head? Did you just get off the phone with your ex-lover who ruined your day and sank you into the depths of depression? Write about it. Did you manage to pull off some wondrous passive-aggressive revenge against said ex-lover? Write about that too and how it made you feel.

4. Events: Here's where things get a bit complicated - for some. You have to do your homework. Watch television, read the newspaper and write a few lines about what's going on in your city, state, country or the world in general.

5. Freewrite: Here's your chance to shine. Since we're all writers, we should leave a section for freewriting. Allow yourself some space to simply write aimlessly without direction. But, here's the challenge - try to limit yourself to a certain number of lines.

When you keep these entries for a week, two weeks or a longer period of time, it can be extremely beneficial. Comparing and contrasting the Mondays or Tuesdays could be a surprising learning experience.

Many times I've written stories and wanted to "know" what 78 degrees felt like, so I went to my journal and found an entry, read my mood descriptions and weather descriptions and was easily informed from my own documentation.

Keep in mind, a good writer documents everything - whether it be on paper or just in the mind's filing cabinet. But, to keep things in order, try to keep your documentation on paper - or at least saved to disk.

Seven Compelling Reasons to Get Your Name on a Book Cover

Have you ever considered writing a book? If so, maybe you've already established firmly in mind your exact purpose for becoming an author. Your reasons may match one or more of those below. Or perhaps you could add yours to the list. Nevertheless, with some 65,000 books being published in the United States yearly, there is overwhelming attraction to joining the ranks of authors.

Reason 1: Renown- Did you know that Martha Stewart ("Entertaining"), Harvey McKay ("Swim With the Sharks Without Being Eaten Alive"), and Tom Peters ("In Search of Excellence"), were virtually unknown until they became authors? It's no wonder. Authoring a book heightens your credibility, elevates your prestige and dubs you an expert. It could open the door to television, radio, and newspaper interviews. (You will, however, have to get out there and stimulate media attention). Having a book with your name on it may also attract public speaking engagements and other business opportunities. It affords you a chance to bask in the spotlight!

Reason 2: Wealth- Certainly not every book brings its author riches, but some do. In his book, "Damn! Why Didn't I Write That?" Marc McCutcheon lists 71 titles that sold 1 million or more copies, some many more, not to mention the multitude of books that sold tens and hundreds of thousands of copies. Yours could be added to the list. Of course it's going to take a hot topic, an attention-grabbing title, a well-written book and some strategic marketing, but the effort is going to be worth it.

Reason 3: Legacy- Depending on how good your book is, it may be read by generations to come. Your descendants, whom you may never see, may come to know you by your work. Family photographs are fine. They show the person. A book, however, shows what's inside the person: their knowledge, findings, experiences, and beliefs. Let your book be their heritage - and a legacy for readers everywhere.

Reason 4: Heroism- As a result of having read a book, people have saved their marriages, improved their health, fixed their finances, boosted their self-esteem, beautified their homes, gotten their souls redeemed, lost weight, roared with laughter, become better lovers, developed their computer skills. Books have improved businesses, inspired dreams, polished parenting abilities, brought history to life, and incited million dollar ideas. The list goes on and on. Your book is undoubtedly going to make a contribution too and it's no telling the impact it is going to have.

Reason 5: Personal Fulfillment- God put each of us here on earth for a purpose. That is, we each have unique gifts and abilities for which we cannot truly feel complete until we have used them. In setting out to have a book written, you have almost certainly developed a passion about whatever it is that you want to communicate. Good. Your passions reveal something about what your talents are. But until you actually get those words out, you may continually have that nudging. You are a unique being with something that only you can say. Have a book written and you will be well on the way to fulfilling your life purpose.

Reason 6: Adventure- Even if you, as a collaborator, are only casually involved in producing your book, the experience is an exploration into uncharted territory. It's quite likely that you and your ghost may come across amazing facts about your chosen topic that you were previously unaware of. You may unexpectedly meet people who could be valuable to your research or to the sales of your book. Even in the process of marketing a book, your tour may lead to exotic places. Being an author could very well be -- in a nutshell -- fun.

Reason 7: Economic Boost- Because a horde of people will be involved in the writing, publishing, sales and distribution of your book, you can take pride in the fact that your book is contributing to the wealth of the nation. That's especially significant in times of mass layoffs, rising taxes, and poverty. I applaud you!

There you have it - seven surefire reasons to become an author, a worthy investment in your business, your career, your life and the lives of your readers.

Need a Book Coach, Ghost Writer, or Editor? Part 2

If you either want to write a book to help others create a better life and boost business or you already have your book nearly finished, you may need book coaching to answer all of your questions "What step to take next?"

Know Your Editing Choices

• Line editing. Use this final professional edit after you have already revised your work three times. These three revisions include: excluding all redundancies, reworking all the words and sentences so they are your finest with few passive verb constructions (aim for 2-4%) and relatively short sentences. Finally, look at headings, paragraphs and transitions to make sure your message carries power through placement and is easy to read. These editors charge $50 an hour or more.

• Developmental editing. While you put your writing, ideas and sentences forth, a developmental editor will not just polish your syntax, but fill in gaps you don't want to take time for. It's practically like ghost-writing and you need to choose a really professional editor who will not do this work on spec, but will charge you an hourly fee of $60 an hour plus or by the project.

• Ghost writing. You give your topic, thesis and chapter focuses to a person you want to finish the research, put it together in chapter form, and write it to sell well. Again, you need to hire a real professional who specializes in ghost writing for your kind of book, whether it is a novel, memoir, how-to or history. These professionals also charge $60 plus an hour or by the project.

Seek a Book Coach First before you waste time or money going down a path that does not serve you.

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Benefits a Book Coach Brings

1. A coach can look at your idea or topic and ask you a few questions.

• What's your book's purpose?

• Where are you now with this project?

• What chapters are finished?

• Is your introduction and table of contents done?

• Does your title convince your preferred audience to buy?

• Do you know your audience inside and out? Prospective buyers will ask you, "Why should I buy your book?" Can you tell them in a few sentences?

• is this topic your # one passion?

• Are you willing to put in two-three years to get the word out with traditional promoting?

• Or eight months to a year with internet marketing?

Depending on your answers, you will learn from your coach what you need to do next.

The biggest mistakes emerging writers make, even if they are professionals:

They don't know their book's many benefits and features. Knowing these first before you write a chapter assist you in writing a focused, well-organized, compelling book that speaks directly to your potential buyer. If they think it is easy to read, they will buy now and tell their friends.

They don't have a book plan beyond a good idea and notes they have written. If you want your book to get read you need to answer all of your customer's questions. When a book coach guides you in this process, you write consistent chapters that practically write themselves with half the edits you usually have.

They have the idea but don't know their audience first. It's always better to know what an audience wants, then write the book for them. Today, look to online readers who join ezines for free information. These people want new material in all subjects for their web sites as well as possibly buying your plan (book) to help them succeed.

They don't realize today's audience wants shorter books, and will print eBooks under 100 pages. A book coach can show you how to write your print and eBook at the same time. You don't have to publish with a traditional publisher either. The shorter route is self-publishing. Find out about how it works before you chase a route that won't suit you. Even if you are not a techie, learn from the coach how you can get your book out directly from your home or office.

Finally, think of your book as a lifetime profit center. Invest in the service that gives you what you need to sell well.

Need a Book Coach, Ghost Writer, or Editor? Part 1

If you either want to write a book to help others create a better life and boost business or you already have your book nearly finished, you may need book coaching to answer all of your questions "What step to take next?" Many writers think that all they need is a good editor and their book will be ready for publishing and promoting.

Maybe you think you don't have enough time to write it yourself. You may want a ghost writer to finish the research and get it out.

But you need to start by consulting with a book coach who knows your book category, who your market is, and where to find them. Your book coach also knows what makes up a saleable title and can help guide you to write a great seller by knowing your thesis, your audience, your "tell and sell," and the correct introduction. When you incorporate these essential "hot-selling" points before you write many chapters, you will then write a compelling, organized, easy-to read page turner.

Don't hire a ghost writer before you know exactly what you need to write, publish, and promote a great-selling book.

Maybe you have a lot of your book done. You wrote your story, but did you write it for your audience or yourself? Many professionals and business people know their topic well, but may not know the rules for writing a saleable book. Too many "I's" and linking verbs like "is" and was" slow readers down and bore them because of the lack of action. They put your potential great book down and don't recommend it to friends or associates.

You already know that word-of-mouth works, yet takes a few years to really get up steam. Many authors quit too soon because they don't know how or don't want to promote their book. An experienced book coach can give you the real picture before you put time and money into your book. She can also make you aware of easy marketing and promotion that takes only a few hours a week at home or in the office.

Maybe, you just want to get your book done. An editor can fix your grammar and even your disorganization, but can an editor help you get your book published, and know which way is the best for you?

Think about what you want--a saleable book whose audience will flock to it because it totally helps answer their questions or solves their challenge. Editors are not trained to think about the benefits your book will give their audience. They don't know how to market as you write. Check with your book coach who will point out your brilliance and show you your benefits and features. Because only benefits sell, and most authors think features such as charts, tips, interview, pictures, or quotes.

When you don't know why your audience should buy your book and you can't tell them in a few sentences either in print or in person, they will back away and keep their wallet or credit card inside their pockets or purse.

Hire your editor after you contact a book coach. When your chapters do not have a consistent format with questions posed as headings and answers following in the copy below, a line editor cannot make your work sell just by changing a few sentences. Even a developmental editor needs format to help make your book the best it can be.

Think of your book as a lifetime profit center. Invest in the service that gives you what you need to sell well. Part two of this article is available.

Why We Dont Write Our Books

In the ten years that I've taught people how to get on with their books, I've noticed a phenomenon that I'll call "Author's Block." Would-be writers can, indeed, sit down and work when pressed to it. The problem is that they're not so sure they want the pressure of being an author. But they do want to. But they don't. And so on.

Ah, the agony of getting on with your book.

Well, I'm here to diffuse that situation with a list of what I think are the key reasons we don't immediately set down to write. Perhaps this will help the next time you find yourself polishing doorknobs instead of sitting down to write.

* We lie to ourselves about why we can't write the book. We think our stalling is about lack of time, or too much pressure at work, or not enough solitude in the evening. But guess what? Chances are a deeper, darker reason may be at play, like 'I'm not supposed to be bigger than Mom' or 'What if this thing really takes off?'

* We fear the impact our book could have. Sometimes when I coach writers in my self-help author's crash course, I'll ask them what's impeding progress. And after some probing, it will come out that they're afraid of the big exposure a book can have if it takes off. I'm here to assure you that should that happen, (and chances are your book will not unleash wild mobs of millions) you will be able to handle it. How do I know? On that deep level where psyche meets karma, you won't create a reader more than you're ready to receive.

* We think our book doesn't matter, so why bother? One writer I know put this so succinctly: "I've tried getting up at 5AM to write, and staying up late, and leaving my home, but none of it works. I have this tired feeling that none of it's going to amount to a hill of beans." In fact, writing and publication can be an entirely self-determined activity these days. If the publishing pundits don't go for your book, there's always self-publishing and e-books on your website. In other words, your book does matter, and you really have no excuse. (Acid test: if the book keeps on patiently urging you to sit down and write it for months and even years, chances are you'd better do it.)

* We think we don't know how to write a book. Guess what? Neither does any other first time writer. And that may be a wonderful thing because you don't com in with a carload of expectations and demands from your process. You're just open, like? well, a nice blank book. All you really need is your intuition, and the will to write your book as honestly as you can.

* We have no support. You need someone in your corner, cheering you on, to get through the long and somewhat tiring process of birthing a book. That's why my Self-Help Author's Crash Course is not an e-book (believe me, it would be easier!) but a 12-week teleclass series. Because these writers need a place to show up and be accountable for their progress. They need someone to keep saying, 'Yes, you really can do this." That's how tricky and difficult our minds are when it comes to big challenges.

* We're afraid we'll run out of material. There isn't a writer out there who hasn't had this fear. And I'm here to say that if you just stay loose and open, and willing to receive the ideas, they will show up. All you have to do is commit - really sit down, and begin to bring that book into being - and the work will magically appear. Sometimes it won't flow that easily, and sometimes it will scare you with it's speed and power. But it will, indeed, show up.

* We think 'Who am I to write a book?' And yet, you are the perfect person to write your book, because you're the one chosen to receive this material. (You don't have to be spiritually inclined to believe this.) I personally believe that books are given to us when we're ready to receive them? and when we do, our lives are changed by that process.

* We fear uncomfortable moments. Ah, but that's the most exciting thing about writing your book. You will be given challenges and lessons that just seem untenable along the way. And if you're committed enough, you'll rise above them and so become stronger in the process. This is especially true for self-help books: we write what we need to learn.

I'm here to urge you to just get on with your book. Not only do you deserve it - so do we.

How to Write a Holiday Tale that Isn't a Turkey

When we write stories, with the purpose of sharing them with others, we enter into an agreement where we allow our reader to see a glimpse of our heart, our souls and our memories. If we truly want them to be immersed in the tale, we actively immerse ourselves in those memories so that a glimmer of what we saw, heard and felt comes through.

This is especially true with holiday tales. The best way to convey a holiday scene is to take a trip back in time through the wonderful world of our unconscious. Here are some great ways to delve back into our child hood memories and incorporate them into our holiday tales.

1) Sit in a darkened room and close your eyes. Allow yourself to go back in time to the very first Christmas that you can remember. Take a deep breath and relax. What are the scents, sounds and feelings that come up? What is the first picture that pops into your mind?

Is it the sound of children racing down the stairs that comes to you first? The feel of your heart pounding when you awoke and found that Christmas was really here? The warmth of your parents' blankets as you bounced on them, anxious to wake them up?

The autumn and winter holidays will always be associated, for me, with my grandmother's cooking and pumpkin pies. I remember running into her little house, and the sound of the front door's slam behind me. I was immediately engulfed in warmth. The scent of nutmeg and cinnamon and pumpkin seeds physically drew me forward, until I was wrapped in my grandmother's embrace.

2) Recreate the scene. Since a prime trigger for me is the scent of pumpkin pies, I often order pumpkin scented candles from Yankee Candles. I sit on the couch, wrapped up in a blanket, light the candles and wait. Within moments, the scent has pulled me back to my grandmother's kitchen. And I hear the sound of my cousins pounding down the hall after me, each of us anxious to win the first warm treat.

You can do the same. If a scent triggers your memories, you can either bake the cake or cookie or brew the eggnog. Or you can get one of those scented candles and simply light it.

If the feel of sweaters immediately transports you back to your snow throwing days, slip one on. If you are like me and live in Florida, turn the air way up first. Close your eyes and hear the sound of children shouting as they try to nail each other with snowballs. Picture their fresh flushed faces.

3) If there is a particular holiday character that sparks your memories, rent holiday movies. Some of my favorites are Frosty the Snowman and Miracle on Thirty fourth street. Watch one for a while, until you get the holiday feeling, then turn the sound off. Watch the pictures and let your mind go.

4) Use all of these pictures and sensations and feelings in your story.

If you are writing about a little girl in a big family, think back to what holiday dinners were like for you. Did everyone talk at once? Does your character like this or does she feel overwhelmed? What is it like to be the smallest one in a room full of adults? Is there a cousin or neighbor that is constantly picking on her? Do the children get bored and decide to explore the forbidden attic?

5) Once you have a scene in mind, write down all of these questions. Don't worry about answering them until you have run out of questions. Then think back to the picture, sound or feeling that you associate with and answer the questions.

6) Now describe everything that you can about the characters. What are their ages? What do they look like? Are they the youngest or oldest in their family? Where do they live? What is their favorite thing? What are their best friend's names? Who is their arch nemesis and why?

Get as much detail as possible down.

Once you can describe all of these things, the pieces of your story will begin to fall into place. More importantly, your characters and your scenes will be real and alive. Be brave and put as much of yourself into these stories and your characters. Your readers will love you for it.

Mission Possible: Get Published with Goals, Guidance, and Persistance

You send me an e-mail. You tell me you've written over three hundred poems since you were 16 (in your teenage angst stage). You mention the novel you've completed and it's really good (it really is!!!), and the novel-in-progress. You mention how the International Library of Poetry has published one of your poems. (But, whom haven't they published?)

However, all your work is stored away, hidden from the public eye on a black little disk.

You have one mission: Getting published.

"How do I get published?" you finally question at the end of the e-mail.

At times, I ask myself the same question.

Is this mission impossible? To many, it seems that way. If you stick with me, I'll make the publishing process slightly simpler.

On this mission, you'll need three things: Goals, Guidance, and Persistence.

An unmentioned New York City college (as well as other schools, I'm sure) offered a course on "How to Get Published". Various bigwigs from major publishing houses in New York City were guest speakers on many occasions.

A writer-friend of mine felt it would be a great opportunity to network and finally understand how to get her works published in magazines, and various books. I was hesitant, and suspicious of the course's objectives, so I didn't follow the friend's lead. I was far from disappointed about my decision. You'll soon discover why.

Getting published isn't as hard as you think. But, when you're a beginning writer getting published seems as difficult as James Bond jet-skiing along the River Thames with five barges heading his way.

As a beginning writer, I feel, the main priority should be getting your name out there in the public's eye. Understand that, at times, you'll have to accept the free issues instead of cash payment. Before you consider publishing though, you should reassure yourself a rejection slip won't lower your self-esteem and cause you to never pick up a pen, or stroke another key at your keyboard. Hey, trust me, rejections happen to everyone! Here are a few suggestions to better your chances of getting published:

Write, Write, Write. This is the obvious one. You need to write all the time. Too many writers say, "I have a novel about . . ." And the novel sounds spectacular. But, when I ask if I can read it, offer suggestions, the writers finally admit, "Oh . . . I haven't started on it . . . But the title of it is . . ." I despise working with an enthusiastic, talented writer who simply won't write. Don't waste your breath! Whatever you do-write your work first, and then speak about it so you won't look/feel like a fool.

Edit, Edit, Edit. If you feel your work is perfect (or as good as you can make it), keep in mind-nothing is perfect! That's what editors are for! If you are a college student, ask a professor to read it at his/her leisure. If you're already in the workforce, ask a well-read co-worker to edit it. Or, since you've some extra cash to spare, hire an editor. Many places, like OutStretch Publications, for instance, offer extremely reasonable prices for editing/proofing services.

Share Works with Others. This is when a workshop comes in handy. Students-take a creative writing course. Or, if you're not in school, give copies to about 5 or 6 acquaintances in advance. Then, schedule a "reading" at your place. Allow the guests to give suggestions and talk about your work as if you're not there. Remember, all criticism is helpful criticism. Remember to ask questions about the shaky portions of your work.

Websites: Build a website and add your writing to it. Or, even easier, find some of the online places like poetryboard.com, or some of the AOL bulletin boards where writers you don't know can critique your work, and people like me (who have a publication) may find your work and ask for your approval for publication. (This is a very rare occasion, but it does happen.)

Here's the TRICK: Mass Mailings! If you happen to see 2, 3, 4, or even 5 publications that don't mind simultaneous submissions and accepts work similar to what you've written, send your work to all of them. Sure, sending out a mass mailing of submissions will guarantee more rejections, but you also better your chances of getting published. Remember, include SASE with each submission or 9 times out of 10 you'll never hear from the publisher/editor. (Some publishers like you to include your e-mail address nowadays for quicker responses.)

Keeping Track. Keep track of all of your submissions. Be organized. A simple database program is perfect. In the database, list 1) the date you submitted work, 2) the publication and its address, 3) the works you submitted, and 4) the date you receive an acceptance/rejection slip.

If, for some reason you DO get a rejection slip. So what? Just think of it like this: Perhaps the publication wasn't right for your writing. Better still, everyone has his or her own opinion, so the editor simply didn't favor your particular style. Someone else out there probably appreciates your style of writing. Perhaps your submission was received past their deadline. Big deal. Send it somewhere else! Remember, though, writing can always be improved.

Now that you've read this, let me tell you something. This is everything my writer-friend learned from the writing course. Seems simple, eh? And, what's even better, unlike my friend, you didn't have to pay a course fee!

This mission doesn't seem so impossible now, does it?

Grab the goals of getting published, the guidance I just gave, the persistence with mass mailings and get yourself published.

Good luck with your publishing endeavors!